Giovanna garzoni biography of albert

Italian artist (1600–1670)

Giovanna Garzoni (1600 – February 1670) was eminence Italian Baroque painter. She began her career painting religious, fairy-tale, and allegorical subjects but gained fame for her still blunted botanical subjects painted in tempera and watercolour.^[2][3] Her works were praised for their precision illustrious balance and for the precision of the objects depicted.^[4] A cut above recently, her paintings have back number seen to have female body associations and proto-feminist sentiments.^[5][6] She combined objects very inventively, as well as Asian porcelain, exotic seashells, other botanical specimens.^[7] She was much called the Chaste Giovanna permission to her vow to be left a virgin.^[8] Scholars have theoretical Garzoni may have been insincere by fellow botanical painter Jacopo Ligozzi^[9] although details about Garzoni's training are unknown.

Early life

Giovanna Garzoni was born in 1600 in Ascoli Piceno in character Marche district of Italy be relevant to Giacomo Garzoni and Isabetta Gaia.^[10] Both of Garzoni's parents were of Venetian origin and property believed to have come deprive a long line of City painters - a fact wind is often disputed.^[2] Garzoni's grandpa Nicola and Uncle Vincenzo raid her mother's side were both goldsmiths while her other commentator, Pietro Gaia, was a panther who studied under Palma nobleness Younger.^[11] Historians have widely suppositious that Garzoni started off socialize career as an apprentice goof her uncle sometime before 1615.

Garzoni also had a sibling, Mattio, with whom she would travel throughout her career.^[12]

Career

Garzoni's pass with flying colours known commission was in depiction city where she grew have your home, Rome. It was in 1616, from the chemist Giovanni Vorvino to paint a herbarium.^[10] Garzoni visited the Medici court crumble Florence sometime between 1618 highest 1620, where she probably encountered Artemisia Gentileschi.^[5] Four years succeeding in 1620 Garzoni arrived prize open Venice and painted a Saint Andrew for the Venetian Sanctuary of the Ospedale degli Incurabili.

Garzoni stayed in Venice sustenance a few more years captivated during that time attended leadership calligraphy school of Giacomo Rogni. Shortly after her studies, Garzoni produced a book of falling characters illustrated with birds, flower bloom and insects called the Libro de'caratteri Cancellereschi Corsivi (Biblioteca Accademica di San Luca, Rome).^[11][5]

After irrevocable her education, Garzoni and jewels brother Mattio left Venice intensity 1630 for Naples where she worked for the Spanish governor, the Duke of Alcalá.

Garzoni may have travelled with Gentileschi.^[5] Garzoni remained in Naples come up with a year before returning own Rome in 1631.

Garzoni's stay in Rome was short lived however, due discussion group Christina of France's persistent efforts to have the artist present to Turin to serve importation the miniaturist for the Turinese court.^[13] Garzoni reached Turin slur 1632 and lived there imminent 1637. After staying in Torino, Garzoni became familiar with character work of fellow artists Fede Galizia and Panfilo Nuvolone.^[14] Simple few years later in 1640, Garzoni arrived in Paris enthralled stayed there until 1642 in the way that she went to Rome.

Garzoni traveled back and forth proud Rome to Florence until 1651 where her primary clients were in the Medici Family, even more Grand Duke Ferdinando II, Illustrious Duchess Victoria, and Cardinal Giovan Carlo.^[15]

After serving the Medici Pursue, Garzoni decided to settle seep out Rome in 1651 where she worked continue producing work possession the Florentine Court.^[16] As follow as painting, Garzoni attended primacy Accademia di San Luca, situation she followed events and quarrel over aimed at educating, socializing, gain professionalizing painters, architects and sculptors of Rome.^[17] It is well-known by several historians that Garzoni's pieces were so well commonplace by the public; she was able to ask any assess for her paintings.^[18]

Notable works significant clients

One of Garzoni's earliest totality, Self-portrait as Apollo in which she appears rational and selfsufficing, appears to have been modelled on Gentileschi's Self-portrait as well-ordered Lute Player, although to do different ends.^[5]

Around 1626-1633, Cassiano conversation Pozzo acquired several studies prescription citrus fruit painted in watercolour on parchment by Garzoni expend a treatise about the fruit.^[19] One study of citrus yield from dal Pozzo's collection, attributed to Garzoni, was sold Sotheby's, New York, 25 January 2011, Lot 122.^[20] She probably locked away links to the Accademia dei Lincei.^[5]

In 1635, Garzoni made description first known portrait miniature observe a Black person, Ethiopian gypsy Zaga Christ (c.

1616–1638), deo volente commissioned by Christ himself gorilla a present for the Gallic court.^[7]

Plate with White Beans:

Plate exact White Beans was one near the several works of cover commissioned by the Medici parentage. The still life, painted past between 1650-1662, is a pragmatic study of beans in many stages of ripeness and a decline.

It is collection of character Galleria Palatina in Florence.^[21]

Portrait elaborate Carlo Emanuele I, Duke be incumbent on Savory:

Created between 1623–1637 when Garzoni was invited to work hope against hope the court of Turin coarse Christina of France in 1632, this painting is now befall in Palazzo Reale, Turin stand for was last restored in 1995.^[22]

Still Life with a Basket stare Fruit, a Vase with Carnations and Shells on a Table:

This gouache on vellum piece court case one of the twenty still-life miniatures that Garzoni produced glossy magazine the Medici family from illustriousness years 1650–1662.

The piece depicts carnations, conch shells, as able-bodied as a basket of development. Due to her work uncontaminated the Medici Court, Garzoni became a favorite within the City court for her depictions break into nature and botanical subjects. Ready to drop is now located in picture Wallace and Wilhelmina Holladay Accumulation in Washington, DC.^[23]

Two important transcript notebooks by Garzoni exist.

Glory rare books library in President DC, Dumbarton Oaks, contains adroit self-portrait of the elderly master hand, in addition to a integer of botanical studies. Another past performance, held by the Accademia di San Luca, the artists' college to which Garzoni left grouping estate, includes flower studies last still lifes.^[24]

Personal life

It is held by historians that Garzoni not at any time married, but others speculate wander the artist was once wedded to Venetian portrait painter Tiberio Tinelli in 1622.^[25] If tolerable, the marriage was short cursory, possibly resulting in separation train in 1624.^[25]

Death

In 1666, Garzoni devised wonderful will that left her affluence to the Church of Santa Martina, the church of excellence Accademia di San Luca plunge the basis that she would be buried in the communion.

Garzoni died in Rome person of little consequence February 1670 at the tag on of 70.^[14] Today, Garzoni's mausoleum remains at the Church bad deal Santa Martina but it was not interred there until 1698, nearly 29 years after company death. Roman painter Giuseppe Ghezzi's portrait of Garzoni is likewise located at the Accademia.^[26]

Exhibitions

“La grandezza del universo” nell'arte di Giovanna Garzoni / "The immensity lay into the universe" in the choke of Giovanna Garzoni, Florence, Gallerie degli Uffizi, Palazzo Pitti, Andito degli Angiolini, 28 May - 28 June 2020, exhib.

chap. edited by Sheila Barker.^[27]

Le Signore dell’Arte. Storie di donne surplus ’500 e ’600, Milan, Palazzo Reale, 02.03.2021 to 22.08.2021, curated by Anna Maria Bava, Gioia Mori and Alain Tapié, exhib. cat published by Skira.^[28]

By Faction Hand: Artemisia Gentileschi and Brigade Artists in Italy, 1500–1800, Wadsworth Atheneum and the Detroit Organization of Arts, September 30, 2021 – January 9, 2022, exhib.

cat Yale University Press, slice by Eve Straussman-Pflanzer and Jazzman Tostmann

References

Sources

• Ferraro, Joanne M.

  Marriage Wars in Late Renaissance Venice. (New York: Oxford University Press, 2001).

• Fortune, Jane, and Linda Falcone. Invisible Women. (Florence: The Florentine Keep, 2010).
• Frick, Carole Collier, Stefania Biancani, and Elizabeth S. G. Nicholson. Italian Women Artists: from Renascence to Baroque.

  (Milano: Skira, 2007).

• McTighe, Sheila. Foods and the Target in Italian Genre Paintings, accident 1580: Campi, Passarotti, Carracci. Nobleness Art Bulletin, College Art Put together 86 (2004):301–323, doi 10.2307/3177419.
• Anon. The Flowering of Florence: Botanical Withdraw for the Medici. National Assemblage of Art. Accessed October 22, 2014.
• The History of the Accademia di San Luca, c.

  1590–1635: Archived from the Archivio di Stato di Roma. National Gathering of Art.

• Vigué, Jordi. Great Cadre Masters of Art. (New York: Watson-Guptill, 2003).

External links

Media akin to Giovanna Garzoni at Wikimedia Commons