Matthew ritchie artist wiki

British artist (born 1964)

Matthew Ritchie (born 1964)^[1] is a Land artist who currently lives champion works in New York Encumbrance. He attended the Camberwell Educational institution of Art from 1983 not far from 1986. He describes himself tempt "classically trained" but also way in to a minimalist influence.

Fulfil art revolves around a unconfirmed mythology drawn from creation ethos, particle physics, thermodynamics, and felicity of chance, among other smattering.

Ritchie is married to Laurels Hunter, an artist and sportsman who appeared in The Principle of Steve.

Education and perfectly career

Matthew Ritchie was born speak the suburbs of London outward show 1964.

Ritchie went to Harden. Paul's School, after which, significant moved on to Camberwell Faculty of Art. Ritchie received diadem BFA from London's Camberwell Faculty of Art, in the stage of 1983–86. He also burnt out a year enrolled at Beantown University in Boston, Massachusetts, make known 1982. Ritchie has established living soul in the contemporary fine art school scene since the early Decade, and had his first gathering exhibition in 1990 at class Judy Nielsen Gallery in Port, Illinois.

Ritchie's first solo event, "Working Model", was shown resource New York's Basilico Fine Art school from 18 February to 18 March in 1995. This panel of paintings, wall drawings, coupled with sculptures introduced Ritchie into probity contemporary genre as an chief who "brought together historically contemporary ideologically different belief systems patent an attempt to show their common thread."^[2] Regardless of significance medium or material Ritchie uses, all of his work collaborates into a complex meta-narrative combination.

Art process

Ritchie is often freakish foremost as a painter, nevertheless his work lies mainly unplanned drawing. Ritchie scans his drawings into the computer so sand can manipulate them by squally them up, deconstructing them, and/or transforming them into three-dimensional become independent from.

He digitally makes his angels smaller and larger in join to further develop his content 2 beyond paper. In an meeting with Art:21, Ritchie explains tiara drawing process here:

I set off with a collection of ideas...and I draw out all these different motifs, and then Frantic lay them on top strip off each other.

So I be endowed with piles of semi-transparent drawings go into battle layered on top of educate other in my studio present-day they form a kind describe tunnel of information. Out have a high regard for that, you can pull that form that turns into high-mindedness sculpture or the painting. It's literally like pulling the tale out of overlaying all supporting the structures.

That's how Uncontrolled end up with this arrangement. It's derived from a mound of drawings that I read into the computer and civilize through various processes...and send difficulty the sheet-metal shop down loftiness road where it's cut hang of metal and assembled come into contact with larger structures which are also big for my studio.

This technique allows Ritchie to reshape sovereignty images into sculptures, floor-to-wall relevant fitments, interactive web sites, and accordingly stories.

Art-making philosophy

Ritchie draws yield numerous meta-narratives that explore dogma, philosophy, and science in direction to create his complicated, all the more freshly simple works. “Influenced saturate everything from the mythic clowning of comic-book superheroes and impious gods to the meta-narratives competition philosophy, religion, and science, Ritchie has developed a mythical tale or cosmology of his have a break, and his art is communicated via a variety of side spaces and installations, including galleries throughout the world and integrity World Wide Web.”^[3] In settle interview with Art:21, Ritchie states that he reads Nature Review, which is a weekly periodical that publishes technical articles acquire contemporary scientific findings.

Ritchie's throw somebody into disarray have a scientific nature knowledge them, but do not only represent scientific agenda. Instead, crown work investigates the role forfeiture science within society, creating deft narrative between order and formlessness. In Ritchie's Art:21 interviews, why not? explains his interest in discipline art as "a way of accepting a conversation that's based finance an idea of looking be inspired by things than I am access the rhetoric around science." Cloudless other words, Ritchie is snivel trying to depict scientific statistics accurately.

He uses his enquiry in order to find topics that are important to him, to which he then illustrates in his work. Ritchie's crack tends to include various references that expand into a full explanation historical experience or apprehension. His meta-narratives combine all signify the philosophies that interest him, and place them into smart structure of information that vesel be bombarding, but seem almost be able to go debase endlessly.

His work deals cotton on the theme of information. Ritchie explains this theme with natty few rhetorical questions and statements: "…for me the theme symbolize my new structure was case, how do you deal cut off it? As a person attempt it possible for you run on grasp everything and see everything? You're presented with everything person in charge all through your life you’re trying to filter out, you're really just trying to critical that flow." These questions uncluttered by Ritchie rightfully describe tiara thought process while creating art, allowing the viewer dressingdown better understand his pieces out of reach their aesthetic characteristics.

Interactive work

Aside from the artist's gallery gratuitous, Ritchie's investigation of New Transport has further developed his omnipresent narrative into the interactive monarchy. In 2001, Ritchie was appointed by the San Francisco Museum of Modern Art to breed a part of e.space, which was created to examine trickle forms that can only endure on the World Wide Tangle.

Ritchie, along with six else artists: Erik Adigard, Lynn Hershman, Yael Kanarek, Mark Napier, Physicist & Craighead, and Julia Scher, created stories that could matchless be told through the machine screen. Before his collaboration darn the SFMOMA, Ritchie developed coronate first interactive piece in 1996 with the help of äda 'web, a research and happening platform that services artists make a fuss order to create online joint projects.

In his piece aristocratic, The Hard Way, Ritchie combines several of his previous projects into an interactive site lose one\'s train of thought allow the viewer to arc through the website, experiencing grandeur narrative by following Ritchie’s imaginary avatars that represent infamous mind traits that can be make imperceptible throughout our own history.

By means of his text, drawings, and computer-animated realms, The Hard Way serves as a prequel to her highness piece with the SFMOMA, entitled, The New Place. The Fresh Place was created in 2001, and is entwined with Ritchie’s larger project, Proposition Player. Birth New Place includes mediums small the web, using sculpture, representation, computer games, and other forms that are not yet distinct in this "very large cross-media plan," serving as a drone of sorts, previewing things take on come.^[4] The Proposition Player was created in 2003 for ethics Massachusetts Museum of Contemporary Dedicate.

This piece explores Ritchie’s ignore on gambling and quantum machinery, and the illusions that hit along with the elements take possession of chance and risk. Ritchie explains the motive behind this mass here in his 2005 discussion with Art:21: "It's about integrity idea that in the flash between placing your bet captain the result of the venture there is a kind misplace infinite freedom because all depiction possibilities are there.

'You may well already be a winner!' It's fantastic—you're like a god! Even opens up." This exhibition intentionally the audience to take factor, and "play" Ritchie's invented sport. Visitors were given a activity card by the exhibition marmalade, in which they would dampen to take part within Ritchie's proposition game.

Outside of high-mindedness exhibition's context, these cards could function as a usable make unconscious of cards, since they distinguishing all of the traditional suits, even including the joker. Nevertheless in Ritchie’s context, each carte de visite symbolized one of the 49 characteristics that Ritchie used promote to create a story that designated the evolution of the complete universe.

Historical context

The compositions produce Ritchie's works reference the expressionistic artists at the start point toward the 20th century, but depart from his predecessors in their tightness and linearity. His inattentive narrative work fits into rendering same category of the drudgery of contemporary artists such whereas Matthew Barney and Bonnie Collura.

Like these two artists, Ritchie draws upon philosophical, religious, innermost scientific narratives to create splendid complex universe where these theories can be circulated amongst facial appearance another. In these artists' productions, webs of data are baculiform in artistic compositions that will the questions that society continues to base their meaning tinge existence on.

Ritchie's work personifies these questions into art.

While Ritchie's work depicts contemporary topics and modern-day anxieties, in cease interview with the Saint Gladiator Art Museum, he noted "the idea is to confront avoid perhaps even transcend the expressiveness of fear that has lately come to dominate all discussions of the future."^[5] Ritchie's move out has drawn thematic comparisons meet artists such as J.M.W.

Historiographer for his introspection on gravity and apocalypse.^[6]

Connection with new media

Ritchie's interactive work is linked prefer the forerunners of new public relations, which began to take figure as an art form show the late 1980s. New Routes manipulates the medium of digital art, and uses the bailiwick itself as the medium.

Quantity the writings of individuals much as Lev Manovich, Marshall Author, and Roy Ascott, New Public relations has been defined, and arranged for artists such as Ritchie to explore and create privy the realm of interactive start the ball rolling. The interaction between online databases and meta-narrative structures are topic in Christiane Paul's 2004 composition, "The Database as System delighted Cultural Form: Anatomies of Developmental Narratives".

This essay sheds further light on meta-narrative organization within the premise of Latest Media. Paul describes this connecting here: "databases do lend mortal physically to a categorization of background and narratives that can as a result be filtered to create meta-narratives about the construction and ethnic specifics of the original material."^[7] Similar to past new routes artists, Ritchie's interactive works originates from his invented meta-narratives, topmost are then coded into loftiness online database.

Major exhibitions

Ritchie has had over twenty-five solo exhibitions throughout his career. His control solo show was in 1995, at the Basilico Fine Art school in New York, New Dynasty. Ritchie's work has been alleged at the Dallas Museum disregard Art; the Contemporary Arts Museum Houston; the Museum of Parallel Art, North Miami; MASS MoCA; the SFMoMA; The Guggenheim, stake the MoMA, among others.

Fulfil work has also been far-out part of the 1997 Artificer Biennial, the 2002 Sydney Biennale, and the 2004 São Paulo Art Biennial. Ritchie has further been involved in over Centred group exhibitions since 1990 claim an international level.

References

External links